• 上下 Up and Down
• 神话练习 Myth Practice
• 天堂电影院 Cinema Paradiso
• 多余的光 Superfluous Light
• 宮 Palace
• 后方 Rearward
• 暗流2016 Undercurrent 2016
• 暗流2012 Undercurrent 2012
• 冬眠 Hibernation
• 惊|蛰 The waking of insects
• 低温 Low Temperature
• 火种 Fireseeds
• 暖流 Warmcurrent
• 黄灯区 Yellow District
• 解冻 Thaw
• 1号坑 NO. 1 pit
• 肉自在 Comfortable Meat
• 恒温种植 Constant Temperature Planting
• 吐纳实验 Breathing Earth

艺术家借由保安（农村进城务工人员）这个建筑的日常维护者的视角，从保安所经历的一次下暴雨后集体抢修堵漏的事件中获得灵感，拍摄了一位拎着铁桶拿着雨伞的保安在不同的空间中游走的经历，利用空间变化，探索并呈现中国城市化快速发展期间（1978年至今）的城市与乡村、当下与过去、记忆与体验的复杂性。

The artist draws inspiration from the perspective of asecurity guard (a rural migrant worker in the city), the daily maintenance worker of the building. Inspired by the security guard's collective effort to repair a leak after a heavy rainstorm, the artist photographed a security guard carrying an iron bucket and an umbrella roaming around in different spaces, making use of spatial changes to explore and present the complexities of urban and rural, present and past, memories and experiences during the period of rapid development of China's urbanization (from 1978 to present).

艺术家结合Moerenuma公园特性及历史背景，邀请了驻留机构S-AIR的管理者Umi来参与完成模仿西西弗斯的推石上山练习，平实记录了参与者的诸多“失败”经历和推雪球上山的“失败”，探索关于个体对日常与永恒、意义与荒谬的生命体验。

Takinginto account the characteristics of the Moerenuma park and its historical background, the artist invited Umi, the manager of the resident organization S-AIR, to take part in the exercise of pushing a rock up a hill in imitation of Sisyphus, and truthfully recorded the many "failure" experiences of the participant and the "failure" of pushing a snowball up the hill, exploring the individual's life experience of daily and eternal, meaning and absurdity.

作品的创作背景来源于艺术家的一位朋友，朋友家在广东阳江经营了十余年录像厅。在上世纪80到90年代，此类录像厅曾在中国很多中小城市非常流行，成为当地人及外来务工人员消遣时间第一选择。而随着科技和经济发展，大型影院纷纷建立，小录像厅则逐渐消失。艺术家回访了曾经经营录像厅的家庭及其成员，并以一台保存至今的意大利进口老式三枪投影仪作为一只巨大螃蟹装置的身体，投射出与录像厅相关的回忆画面，串联起一段家族记忆，并试图重构过去的时代幻影。

Thebackground of the work comes from a friend of the artist, whose family operated a video hall in Yangjiang, Guangdong for more than ten years. In the 1980s and 1990s, such video halls were very popular in many small and medium-sized cities in China, becoming the first choice for locals and migrant workers to spend their leisure time. With the development of technology and economy, large cinemas were established and small video halls gradually disappeared. The artist visited the families that used to run video halls, and used an old three-gun projector imported from Italy as the body of a gigantic crab installation, projecting images of memories related to video halls, linking up a piece of family memories, and attempting to reconstruct the phantom of a bygone era.

由英国人建于1870年，用于指引船只方向的一座灯塔，其灯光在太平洋的中国东海360°旋转照放了150年，其中，有一半时间的灯光被无效地投向灯塔背后的山林。艺术家思考这150年整夜不停出现又消逝在山林中的亮光照亮了什么？并用一整晚的时间，采用不同快门速度和频率拍摄了四千多张图片序列，将山被照亮的瞬间连成连绵的时间流，形成了海边黑夜山林的独特灯光秀，同时也在回应150年过去的黑夜与光明。

A lighthouse built by theBritish in 1870 to guide ships has been shining 360° in the East China Sea in the Pacific Ocean for 150 years, and half of the time the lights have been thrown inefficiently towards the mountains behind the lighthouse. The artist pondered what was illuminated by the light that kept appearing and fading into the mountains and forests all night for 150 years. More than 4,000 image sequences were taken with different shutter speeds and frequencies throughout the night, connecting the moments when the mountains were illuminated into continuous time streams,forming a unique light show of the mountains at night by the sea, while also responding to the night and light in the past 150 years.

这件影像作品在一个建筑工地拍摄完成，在工地上有三十多 名工人被要求穿戴上士兵的军服和头盔，然后各自照常从事 平时的工作。镜头只做客观记录，但在他们中间安排了一名 表演士兵的演员，这样工人们不自觉的进入到了一个虚构的 影像叙述中。

This video was made in a building site. About 30 workman in soldier’s uniforms and helmets as required work as usual. The camera record objectively, but there was an actor among these workers and then these men would putting themselves in a virtual video situation unconsciously.

2012年我拍摄了关于患有梦游症的小外甥的一个影像作品，名为《暗流2012》。时值五年，小男孩从五岁 长成十岁，仍有轻度梦游症。我在思考他现实的世界不断变化，而梦游中的世界是否也随之隐秘的发生了 许多不为人知的故事?于是便有了《暗流2016》，可以说是梦境与现实一起成长的片子。片中长大的小男 孩沿着一条河流行进，途中遭遇了许多行色匆匆的各种人物，包括13年《惊|蛰》中的人物和12年的他自己， 以及另外一个奔跑的小男孩。这就像一个平行空间，各行其是，互不相扰。

In 2012, I made a video work entitled Undercurrent 2012 of my little nephew who was having somnambulism. After five years, the little boy has grown from a 5-year-old to a 10-year-old, and he still bears with slight somnambulism. I was thinking, with his real world constantly changing, would there be any unknown stories that happened secretly in his sleepwalk world? That is where Undercurrent 2016 came from. One could say this is a video where dreams and reality develop together. In the video work, the boy who is now older walks along a river, and he comes across many characters that are walking in haste, including those from my 2013 work The Waking of Insects and himself from the work Undercurrent 2012, as well as another little boy, running. It is like a parallel space, where everything acts in its own way, and does not bother each other.

单频录像、彩色/黑白、有声、9分51秒、2012、HD。

在拍摄这件作品前，我发现我的小外甥有严重的梦游症，经常晚上从床上爬起来满屋子走，这时他完全沉浸在自己的梦境中，没有人能唤醒他，更不知道他在梦里遭遇到了什么。于是在这个影片中，我把我的想象掺进了他的梦境，让他表演自己梦游的样子，虚拟了一次他的梦游行走。

Beforethis work’s start, I found my nephew was suffering from severe somnambulism. He always got up and keeping walking the house here and there, and during that time he was totally overwhelming in night dreams that no one can awake him or get idea of what the dream was. That’s why I mixed my imagination into his
dream by letting him act as being in the dreams to make a virtual sleepwalk.